The Metropolitan Museum of Art Costume Institute Gala is the high fashion event where the style elite can push the envelope in the hautest way possible. Unlike the Grammys where celebs show up wearing cans of tuna or weird disco sunglasses, the Met Gala showcases the true potential of designers, fashion-forward celebs and ingenious stylists. Join us as we break down the top trends, the fashion elite and the style disasters that graced the Met Gala red carpet.

Americandy
While this is a great event to showcase haute gowns and bold picks, it is also refreshing to see a group of ladies strutting their stuff in simple, streamlined ensembles by American designers. Michael Kors must have worked overtime, dressing Diana Agron (below, right), Brooklyn Decker (below, left), Emma Roberts, and model Caroline Trentini. From Brooklyn’s hot pink, high slit fierceness to Caroline’s nude, textured concoction, Kors got it right, sending out the perfect amount of American minimalism with the Met Gala-required wow-factor.
Always the American minimalist, Claire Danes showed up in a metallic Calvin Klein Collection gown, while Zoe Saldana (below, center) also donned the designer wearing a strapless pale lemon dress. Both were low-key looks, yet they managed to not underwhelm us with their fresh choices in color.

Got Something Up My Sleeve
 One of the biggest trends of the night was sleeves. These stars must have finally been affected by the raging winter the rest of the country experienced, because you could not take a step without bumping into a not-bare arm. However, this trend seemed to work only on the stars who were able to keep it simple. The stand-outs of the night got this trend exactly right, including Renee Zellweger in a nude Carolina Herrera gown with just the right amount of sparkly detail on each hip. Naomi Watts also must have gotten dressed with Renee, because she too showed up in a nude gown with sparkle accents (by Stella McCartney), however hers created this ethereal feel with the illusion sleeves and light, translucent material. Gwyneth Paltrow brought the classy element back to gold in a stunning Stella McCartney, open-back, fitted gown, along with Sarah Jessica Parker in a silver, high-neck Alexander McQueen creation with the perfect silver-on-silver pattern detail. Going for a bit of a fashion risk, Ashley Olsen (below, right) encompassed the overall image of the evening in a vintage Christian Dior black gown with full, ivory, off-the-shoulder sleeves.

However, her sister, Mary Kate (below, left), missed the mark with her oversized Givenchy dress that looked like it was fit more for a trip to an Amish 1970s beach rather than a costume gala. Iman also looked like she was out of another decade a Stella McCartney gold, belted jumpsuit, and in the bad, 1980s type of way. But the biggest trend offender of the night? Christina Ricci in Zac Posen, evoking a morbid, just-raised-from-the-dead-in-a-Tim-Burton movie motif.

Surprise Designer: Topshop
 When I think of the Met Ball, I think of haute couture gowns with feathers, studs, sequins and an expensive designer label attached. This year, however, three stunning starlets graced the gala in a label even we frugal fashionistas can afford. Jessica Szohr (below, center) edged things up a bit in a black velvet and tinsel minidress, while Maggie Grace (below, left) hit the red carpet in a limited-edition black gown by the mainstream label. Finally, Ginnifer Goodwin (below, right) wowed in a knotted green dress with a deep v front, which was ever so slightly overworked with the matching green eye makeup.

FashioniSTA Best Dressed: Diane Kruger in Jason Wu (left). Between her use of the illusion, sleeves and bedazzled trends, you’d think this would be a complete miss. But she managed to make it all work, evoking an old Hollywood glamour rather than a trashy mash-up of trends, which is definitely not easy to do.

FashioniSTA Worst Dressed: Fergie in Marchesa. Not only is this dress an atrocious bridal nightmare from 1982, but the overly bronzed makeup and borderline frosted hair just added to the disaster. Bring back Grammy 2010 Fergie please!


Most Improved: Rather than give this to an actual person, this award goes to Valentino’s daisies, making their big comeback as appliqués on Dakota Fanning’s tulle dress. After seeing Michelle Williams in these daisies at the Golden Globes, we thought that this trend would die a slow, painful death, but they have come back at the right event, on the right starlet, and in exactly the right way.

~Ashley, FashioniSTA, Second Time Around